hhimring: Estel, inscription by D. Salo (Default)
[personal profile] hhimring posting in [community profile] b2mem
B2MeM Challenge: Wildcard: Go where the stars are strange. Wildcard: Final Challenge: Dwimordene's additional element: She just smiled and laughed at me and took her bruise back again.
Format: ficlet (c.1100 words)
Genre: character study, family, angst
Rating: Teens
Warnings: non-graphic canon torture and canon death
Characters: Celebrian, Finrod Felagund
Pairings: Celebrian/Elrond (background)
Summary: Celebrian makes up her mind to sail; her arrival in Valinor.
Note: I rarely write Third Age, so the stars are strange there for me; this is also my first story with Celebrian as protagonist. I don't know how well you will think I did on the additional prompt...


Celebrian is having a good day.  And so, reluctantly persuaded by her brave smiles, her carers permit her to remain alone by herself on the terrace, propped up in a comfortable chair, swathed in blankets. She blinks warily in the watery autumn sunshine and looks out over bare thorny rose beds.

Celebrian is having a good day. The orchestra of fear and pain that plays at all times in her mind and on her body today plays a little more softly; today she can actually hear herself think above the shrilling of the pipes and the pounding of the kettle drums.

Celebrian is having a good day and so it is time—without any well-meaning well-wishers talking at her, assuring her again and again that she will soon be all right again, hollow assurances that on bad days she is only too willing to cling to—it is time today to face a few hard truths:  she has reached the point at which she is liable to inflict more damage on her family by staying with them than by leaving them.

She considers them each in turn—her children, her husband, her parents—and the thought of them is bitter. What has happened to her is warping their lives. They have revolved around her, attempting to lend all kinds of aid and support within their power and seeing their best efforts evaporate until her state of health has become like the centre of a black whirlpool, gradually sucking them in after her.

Mummy is trying to get well, Arwen. Mummy is trying really, really hard to get well. And her family are trying really hard to believe it.

They cannot understand, not even Elrond—maybe Elrond even less than the others, because he is so locked in his continual struggle with the ways her body and her mind are failing her, with each individual symptom, that he seldom finds the space to breathe, let alone step back and consider the larger picture. Elrond is a healer and she is refusing to heal. His growing self-doubt is harder to bear, in the long term, than those few fleeting moments when he almost seems to blame her.

They cannot understand and she cannot explain, for she does not understand either. How can all that loving care fail to make up for… But here that train of thought comes to a jarring halt.

Celebrian, who is having a good day, looks out over thorny rose beds and considers Valinor. It is not to her, as to her mother, a home she once left, a home to return to. No sea birds have ever called to her, promising her enduring bliss beyond the horizon. She had few dreams beyond Middle-earth before disaster struck, and Valinor to her means exile, a bleak alternative. But it may offer release from her daily round of horrors.

Elrond thinks so. In moments of despair, he talks of Irmo and Este, of Lorien. Because his healing powers descend from Melian and because Melian hails from Lorien, he believes that they would succeed where he failed.

Celebrian is less sure of this. What she remembers most clearly about the Gardens of Lorien from her history lessons is that Miriel went there and never came back. And if even her family cannot comprehend how those brief days of capture could shatter her beyond repair, what can the denizens of the Blessed Realm know of that?

Except for one.  The thought comes unbidden and surprises her. What Valar and Maiar might understand of her plight seems uncertain at best but there dwells one in Tirion who knows what she went through because he went through it himself: Finrod Felagund, her mother’s brother, who died in captivity in Tol-in-Gaurhoth and returned to the living, they say, to walk beside his father in Aman.

He knows what she went through but what would he think of her, the great Felagund? For he suffered his captivity because he ventured on the greatest and most dangerous of quests, she was merely waylaid on what should have been a safe journey. He fought a great duel with Sauron; she had her glaive twisted out of her hands early in the fight. He withstood torture to defend his companion’s secrets; her torturers did not have the wit to ask any questions. He died to rescue Beren; she was rescued by others. And then I failed to be worth rescuing.

‘No’, she says firmly. ‘I’m going to Valinor to see my uncle Finrod Felagund.’

And she insists on that thought with all her might. It lends her a sense of purpose. It is better than merely running away.

She looks out over the rose beds, over the whole valley of Imladris, and touches the green stone on her breast.

‘I did help to make you bloom, for a while’, she says to the valley.

The stone is for Arwen. She will give it to her mother to keep it for her and also ask her to keep an eye on Arwen. Elrond does not know much about handling girls; Arwen can twist him around her little finger.

And so her plans are laid.

***

But the next day is a bad day, and her carefully made resolutions and plans are forgotten. The maelstrom has her again. There is still much anguish to come, many doubts, much toing-and-froing, before Celebrian finally boards the ship at the Grey Havens, deserting her post. By then, she barely remembers that lie she told herself about her uncle—there are so many lies she told herself and others at various times.

And yet when the ship approaches the harbour, he is there, waiting for her. Clinging to the gunwale, she sees Finrod and recognizes him instantly—oddly enough because he is the only one among the crowd on the quay who seems furious, hopping mad, incandescent with rage. In all the portraits of him she has seen he looked noble and serene but maybe she has picked up on subtle hints of temper in her mother’s tales.

She totters pathetically down the gangway on the arm of a sailor and asks him shyly—she did not use to be shy but that was before she lost all sense of worth and purpose: ‘Are you expecting me?’

‘Of course’, he growls. ‘You called me, didn’t you? Come along!’

‘You’ll have to slow down’, she says, immediately. ‘I can’t walk that fast.’

‘Not yet’, he says and wraps his right arm around her waist so that he is supporting most of her weight. ‘But we’ve only just begun.’

Date: 2013-04-01 08:56 pm (UTC)
From: [identity profile] alasse-mirimiel.livejournal.com
I love Finrod with a temper!

Date: 2013-04-01 09:07 pm (UTC)
From: [identity profile] huinare.livejournal.com
I love this. The idea that her resolution to seek the Undying Lands was first made in a brief chink in her despair, rather than in despair itself, is a really powerful one IMO. It's one of the rare times she is clear-minded enough to understand that remaining in her current situation can no longer help her nor those she cares about.

And your not-so-serene Finrod! I'd like to be a fly on the wall during a conversation between these two.

Date: 2013-04-01 10:18 pm (UTC)
From: [identity profile] myaru.livejournal.com
I like the idea that she would go to Valinor for the understanding her uncle might give her - I like it very much, in fact! And also her uncertainty that she would even be of interest to him, because it seems so silly from the outside. Of course he would want to meet his niece. Family ties! And I bet he misses his sister quite a bit.

I also really loved this: Elrond does not know much about handling girls; Arwen can twist him around her little finger.

Date: 2013-04-01 11:43 pm (UTC)
From: [identity profile] lindahoyland.livejournal.com
I liked this very much and loved your Finrod.

Date: 2013-04-02 12:22 am (UTC)
moetushie: Beaton cartoon - a sexy revolution. (misc  → pakeezah)
From: [personal profile] moetushie
Oh, brava! *claps*

I love the thought that for Celebrian, Valinor is the exile, and of course, not!serene Finrod. Very, very good.

Date: 2013-04-02 03:25 am (UTC)
From: [identity profile] tehta.livejournal.com
I love the idea of linking Celebrian and Finrod in this way. It's unexpected, but makes so much sense...

Date: 2013-04-02 04:41 am (UTC)
From: [identity profile] dwimordene-2011.livejournal.com
Ooh, Celebrian - tough subject, or at least, so I find. That back-and-forth of trauma, where you have good days and then terrible days, works well as an interpretation of the song's line.

But I really like the connection you draw between Finrod and Celebrian. It makes perfect sense, and it gives Celebrian a reason to go to Valinor that isn't just a retreat from the world. There's someone there who can help her because he's gone through the same sort of trauma. Finrod's outrage, and his immediate willingness to help is fantastic - and I love how you give him such an intimate connection to the niece he never met. That she can touch his thoughts and bring him to respond to her before she ever gets to Valinor is great.

Thanks for taking this one on, Himring!

Date: 2013-04-02 08:22 am (UTC)
From: [identity profile] heartofoshun.livejournal.com
OMG! This really, really worked! I finished before I realized it and was riveted all the way. Celebrian-suffers-and-decides-to-leave is a sad cliche of Third Age fanfic. So few are really compelling. Most make one want to slap her around the head before one reaches the end. In this one the hurt is real and not writer self-indulgence and her attempts to help herself or at least cooperate in her own healing are sincere. (I would accept an inability to cooperate as long it was honestly written.) I love it when someone is able to make me abandon a dislike of a particular thread or genre of fanfiction (winning it back for me) because I have read too many not very appealing attempts.

Love this story. I adore angry determined Felagund!

Date: 2013-04-05 09:46 pm (UTC)
From: [identity profile] heartofoshun.livejournal.com
I definitely agree that in writing this kind of torment, less is more. I suspect that is why I fell in love with your version of Maedhros.

Date: 2013-04-02 02:45 pm (UTC)
From: [identity profile] engarian.livejournal.com
He'll be the perfect anvil for her own rage, and in his own way he'll heal a bit more himself because of her. What a great combo.

- Erulisse (one L)

Date: 2013-04-04 07:38 pm (UTC)
paranoidangel: PA (Torturer of Elrond)
From: [personal profile] paranoidangel
I really like Celebrian making the decision to go and thinking about how it affects her family.

Date: 2013-04-04 10:12 pm (UTC)
dreamflower: gandalf at bag end (Default)
From: [personal profile] dreamflower
Oh, I like this idea, first of all and mostly of all, that she is making this decision to spare her family having to watch her decline--but also that she is able to think of a goal and cling to it when she is having a good day is wonderful.

I've often thought Celebrian's suffering and removal to Valinor had a purpose--for when Frodo finally arrives, who better to understand his suffering?

Just as Finrod will understand his niece.

Date: 2013-04-05 10:06 pm (UTC)
dreamflower: gandalf at bag end (Default)
From: [personal profile] dreamflower
It's rather foreshadowed in my story "The Token" and referred to in hints in my WIP "Ancestress"--but I haven't written any overt interactions between them.

While I like Celebrian very much, especially as certain fanwriters depict her, she hasn't really introduced herself to me enough to show her in more detail yet.

Date: 2013-04-06 03:09 am (UTC)
From: [identity profile] almaheart.livejournal.com
That was...beautiful. Sorrowful and so very real; I've never read a Celebrian story I liked so much. You made her damaged in a way that wasn't detached or too withdrawn for me to understand, but instead she seems almost hyper aware, of those she loves, and how her altered state affects them. I love it! And even through all that, she has a core of strength that allows her to make this decision out of necessity, not out of despair. Oh, this give me happy-reader-shivers.

And that last scene, oh, it makes my heart sing! His fury is so bright, and alive and focused entirely on her, on making her better as soon as he can get his hands on her, after waiting for so long knowing she suffered. A sudden, unexpected, brusque intrusion of hope at the end of Celebrian's sad story. Ah, it's wonderful.

Date: 2013-04-07 01:47 pm (UTC)
From: [identity profile] rlaadmin.livejournal.com
I'm not sure why this made me cry so much, but I suppose it's because it's so relatable to anyone who has been through serious illness within their family. It must have been terrible for Elrond, a healer, to be unable to heal the one person he must most have wanted to heal. I admit that I don't often read outside hobbit fics, so I can't comment like others on how Celebrian is usually written. But her decision seems very real to me, and her reasoning makes sense. Thank you!

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